Wednesday, April 18, 2018

Cherie Burns's "Searching for Beauty"

Cherie Burns's books include the biography Searching for Beauty—The Life of Millicent Rogers, the American Heiress Who Taught the World About Style, The Great Hurricane: 1938, Stepmotherhood—How to Survive Without Feeling Frustrated, Left Out or Wicked, and Diving for Starfish: The Jeweler, the Actress, the Heiress, and One of the World's Most Alluring Pieces of Jewelry.

Here she shares some ideas for casting an adaptation of Searching for Beauty:
When I wrote Searching for Beauty—The Life of Millicent Rogers, I believed a wonderful movie lay within Rogers’s story. Any actress would want to play the beautiful, willful, stylish Standard Oil heiress who struggled to lead her stylish life out from under the oppression of, yes, wealth and the power it bestows on families to dominate their children. Millicent lived her life emblematic of each decade of the twentieth century until the movie star Clark Gable dumped her in Hollywood in 1946. She was a debutante, a flapper, a fashion muse, an expat, and poster girl for the US war effort in WWII. Her son would have even told you she’d been a spy. Then she came to New Mexico and found a different kind of peace and beauty with the landscape and Native American men than she had been able to achieve elsewhere. She was never still, always searching and changing. In my imagination I have seen Cate Blanchett, Gwyneth Paltrow, Charlize Theron, and Elizabeth De Bicki, among some other leading actresses, play her. It is quite a role.

And the men! She had so many dashingly handsome men in her life. Tom Hiddleston would play Arturo Peralta Ramos, the Argentine playboy who becomes her second husband. I have always seen Viggo Mortensen as the older, Austrian Count Salm with whom she elopes to outrage her parents.

Jane Fonda, who is related to the Rogers family in real life, could be Mary Rogers, Millicent’s mother. Her strong-willed manipulatve father could be played by Bruce Greenwood. Her full story begins when she is coming out at her debutante ball and being courted by the Prince of Wales (Cillian Murphy?) and ends 30 years later with her early death in New Mexico. But flashbacks could handle this. Maybe there are parts here for two actresses. Naomi Watts would be a fine Dorothy Brett, the British aristocrat who came to Taos with the writer DH Lawrence and his wife and became an eccentric painter. Oh, there are so many characters. I haven’t even begun on the Native American men Millicent falls in love with. Tony Luhan, the Taos pueblo elder who was married to the socialite Mabel Dodge Luhan, charmed every woman from Georgia O’Keeffe on. I believe Millicent loved him, too. Now there is a casting challenge.! DH’s wife Frieda Lawrence is another great part for a character actress. Maybe I will be a casting director in my next life!
Visit Cherie Burns's website.

My Book, The Movie: Diving for Starfish.

--Marshal Zeringue

Monday, April 16, 2018

Susan Henderson's "The Flicker of Old Dreams"

Susan Henderson is a five-time Pushcart Prize nominee and the recipient of an Academy of American Poets award. She is the author of the novels Up from the Blue (2010) and The Flicker of Old Dreams (2018).

Here Henderson dreamcasts an adaptation of The Flicker of Old Dreams:
There is some Hollywood interest in this book, so let's hope all this casting is for real.

The book is about the death of small town America as told by a mortician. Mary, the narrator of the book, is the town's embalmer and more comfortable with the dead than the living. She's socially awkward but has a strong sense of self. Is there a female Edward Norton? An introverted Amanda Palmer? Whoever plays her has to be quirky and layered and have things to say but lack the courage to say them.

Matthew Gray Gubler (from Criminal Minds) or Ezra Miller (Perks of Being a Wallflower) could play Robert, the damaged outcast who returns to this small town to be with his terminally ill mother. His homecoming peels a scab off an old wound in town and sets the trouble in motion.

Frances McDormand (Fargo) would be great as his mother, Doris, who is dying of lung cancer and churns out paint-by-numbers art. Her character teaches Mary something about living.

I'd love to see Michael Keaton (Birdman) as Mary's father, the funeral director, who suffers from depression and alcoholism. He wants to find love, if only he could figure out how to do it better.

His best friend, the sheriff, would be really powerful with Benicio Del Toro or John Malkovich in the role, as he crosses a line to protect the traditions of this small town.
Learn more about the book and author at Susan Henderson's website.

The Page 69 Test: Up From the Blue.

The Page 69 Test: The Flicker of Old Dreams.

Writers Read: Susan Henderson.

--Marshal Zeringue

Saturday, April 14, 2018

Amanda Ottaway's "The Rebounders"

Amanda Ottaway is an author and journalist whose work has appeared in The Washington Post, Christian Science Monitor, Washington City Paper, VICE, The Nation, espnW, Charlotte Magazine, the Pittsburgh Post-Gazette, and a few poetry anthologies. She is an International Women's Media Foundation (IWMF) reporting fellow and a 2017-2018 Girls Write Now mentor. She is currently the Brooklyn courts reporter, covering the Eastern District of New York, for Courthouse News. Previously she worked at the Pulitzer Center on Crisis Reporting in Washington, D.C.

Here Ottaway dreamcasts an adaptation of her new book, The Rebounders: A Division I Basketball Journey:
For me, one of the most intriguing characters in The Rebounders: A Division I Basketball Journey is head women’s basketball coach Deborah Katz.

She’s so complex I spend a good chunk of the book trying to figure her out. I still haven’t. But the first time I saw Meryl Streep in The Devil Wears Prada (incidentally, a movie adapted from a book), I knew I wanted that version of Streep to play Coach Katz if The Rebounders ever became a movie.

It’s because of the power.

Miranda Priestly, Streep’s character, oozes power. First of all, she’s brilliant. She also works constantly at the expense of everything else in her life, the way many high-level coaches have to operate. And because she works like that, she expects everyone around her to do the same -- like coaches do.

Anne Hathaway, who plays Priestly’s co-assistant, Andy, in the film, is forced to fully re-prioritize her life for her boss, which she does because it's such an incredible opportunity. But her relationship, friendships, social life, her own writing -- all bow to Miranda Priestly. All in, or go home.

I see similarities between Andy’s position and the schedules of Division I athletes. We loved basketball. But because of the financial bonanza of the scholarship and the awesomeness of the chance, we sacrificed for hoops almost every day.


Miranda Priestly does not yell. She does not throw temper tantrums or chairs or clipboards. She exudes a cool and quiet and terrifying power, translated by Streep’s withering gaze.

Coach Katz exercised a similar kind of power over us, and I think in a lot of ways Streep and Hathaway mirror the coach-player relationship.

Coaches are vulnerable. If they don’t win games, they don’t keep their jobs. But as a kid, as an eighteen-year-old, you feel like you’re more vulnerable than your coach is. She’s the grown-up. She’s the one who knows the athletic director. She could bench you for any reason, kick you out of the locker room, take away your scholarship. And because you are young and basketball is your life, it’s what you live for, what you love more than anything, and your coach knows that, getting benched is one of the most painful punishments there is. Losing a scholarship is one of the scariest things that could happen to you. So to us, that power dynamic felt uneven.

One of the main points I tried to convey in The Rebounders is that college coaches have more power over their young players than I think they realize.

We internalized everything our coaches said to us. Like Anne Hathaway, we listened closely and took them seriously and tried to please them and sometimes did not know how to, and that was scary. We also disagreed with them and sometimes got angry and lashed out at them. We all had a lot of money and emotion at stake.

Coaches, if you’re reading this, please be gentle with your players. You hold more sway with them than you probably know.

Meryl, Your Highness, if you’re reading this, call me.
Visit Amanda Ottaway's website.

--Marshal Zeringue

Thursday, April 12, 2018

Cherie Burns's "Diving for Starfish"

Cherie Burns's books include the biography, Searching for Beauty—The Life of Millicent Rogers, the American Heiress Who Taught the World About Style, The Great Hurricane: 1938, and Stepmotherhood—How to Survive Without Feeling Frustrated, Left Out or Wicked.

Here she shares some ideas for casting an adaptation of her new book, Diving for Starfish: The Jeweler, the Actress, the Heiress, and One of the World's Most Alluring Pieces of Jewelry:
My vote is for Reese Witherspoon to play me in the adaptation of Diving for Starfish. I’m the character who goes on a quest to find three famous ruby and amethyst starfish brooches made in Paris in the 1930s. Only as I have been out talking about the book this past week have I thought of it as a film narrative. It's a lot like The Orchid Thief. The reader, or audience in this case, would come along with me on my search which takes me into all sorts of places behind the scenes in the jewelry world and into the homes of some of the rich and famous women who have owned them. Millicent Rogers and Claudette Colbert. Great cameos there for Gwyneth Paltrow and Catherine Zeta Jones! Tim Hiddleston would be the leading jeweler Lee Siegelson. Kirsten Scott Thomas could be a superb Jeanne Boivin, the haughty French joailliére whose salon, the House of Boivin, created the starfish. Bruce Greenwood would make a superb Ward Landrigan. Brad Pitt could excel as the hustling Texas dealer in the story. Murray Monschein…. Hmmmmm? How about Danny Devito? Is he still out there.? Alicia Vikander as Nathalie Hocq, the French mystery beauty who owns the Boivin archives and smoked cigars. Lesley Manville suits the role of classic discreet Parisienne lady “authenticator.” Let’s go against type and have Helen Mirren play the plain-faced designer Juliette Moutard. I will give more thought to who should play all those fascinating jewelers in New York and Paris.

This could be fun!
Visit Cherie Burns's website.

--Marshal Zeringue

Tuesday, April 10, 2018

Joanna Lewis's "Empire of Sentiment"

Joanna Lewis is an Associate Professor in the Department of International History, London School of Economics and Political Science, having previously studied at the University of Cambridge after winning a Thomas and Elizabeth Williams Scholarship for students with a first class degree, and first-generation to attend university.

Here Lewis dreamcasts an adaptation of her new book, Empire of Sentiment: The Death of Livingstone and the Myth of Victorian Imperialism:
This book begins with the dramatic but slow, painful death of Dr David Livingstone, an old man by this time. A cantankerous Scotsman who at the best of times had a short fuse, his painful demise and sense of failure for not finding the origins of the Nile makes for a tragic end to his life. So I would pick Daniel Day Lewis to play this eccentric and at times deranged characterful Celt. No relation, Lewis would be amazing showing Livingstone’s dark side as well as his quirkiness and soft, sentimental side, as he slowly went mad with frustration.

Livingstone at this time was being carried around and tended to by a group of talented, devoted and eclectic group of African men and women. Also in the party were young boys and girls. Many had been slaves and were still in a form of enslavement. After he died, they discussed and debated what to do, before making the heroic decision to carry Livingstone’s body back to the coast, a dangerous journey that would take them over six months. Again, there were powerful characters, determined and courageous present although we don’t know enough about them unfortunately due to the lack of written records. Some of the men closest to him, were given passage back to London for the funeral. Many went on to play important roles teaching ex slaves back in Africa, translating for missionaries or assisting the next generation of explorers.

My dream list would be Denzel Washington, Forest Whitaker, Dan Cheadle, Idris Elba and Wesley Snipes, playing the role of the leaders of the various factions of Livingstone’s caravan of followers. For the women present, who get forgotten the most, I would beg Whoopi Goldberg, Hallie Berry, Vida Davie. For the younger slave girls and boys Tyler James Williams, Tyrel Jackson Williams, Keke Davies, Jada Pinkett Smith, and Yara Shahidi.

A number of powerful Victorian male figures in Britain campaigned to have Livingstone’s remains given a proper funeral and to keep the fight going against slavery in east Africa. These included the President of the Royal Geographical Society, the Dean of Westminster Abbey. I would have them played by Colin Firth and Jeremy Irons. Two important and slightly self-publicising figures were the slightly menacing figure of explorer Henry Morton Stanley and the Proprietor of the New York Herald Gordon Bennet. I would have them played by Russell Crowe and Robert Downey Jnr respectively.

Livingstone’s death inspired a generation of younger explorers and idealists to follow in his footsteps in the interior of central Africa. Many wanted to find his grave, push the frontiers of European knowledge, have an adventure or campaign against the slave trade. They all knew they were in grave danger of risking their lives. Some were on the spectrum as we would say now, loners or messianic Christians. Some never returned. In these roles, I would cast Ethan Hawke, Eddie Redmayne and Jake Gyllenhaal.

Finally, the story also includes white settlers in Central Africa. Hardened by life on the frontier, high death rates and poverty, these were a tough bunch of characters, racist in principle but reliant on African servants and labour which produced a unique set of tensions. For the patriarchs, slightly unhinged I would Leonardo DiCaprio, Matthew McConaughey; Sean Penn, Woody Harrelson. And for the equally, often tougher matriarchs, I would love to see Meryl Streep reprise her role in Out of Africa; Gillian Anderson doing another version of her brilliant Lady Edwina Mountbatten in the Partition of India film, Emma Stone and Melissa McCarthy.
Learn more about Empire of Sentiment at the Cambridge University Press website.

The Page 99 Test: Empire of Sentiment.

--Marshal Zeringue

Sunday, April 8, 2018

Harold Schechter's "Hell's Princess"

Harold Schechter is an American true-crime writer who specializes in serial killers. Twice nominated for the Edgar Award, his nonfiction books include Fatal, Fiend, Bestial, Deviant, Deranged, Depraved, The Serial Killer Files, The Mad Sculptor, Man-Eater, and Killer Colt.

Here Schechter dreamcasts an adaptation of his new book, Hell's Princess: The Mystery of Belle Gunness, Butcher of Men:
Though it would be a dream come true if my idol, Vin Diesel, could star in it, I don’t realistically see a role for him.

I suppose if I were the casting director, I’d try to land Kathy Bates as the lead character, the plus-sized serial slaughterer, Belle Gunness. I suppose I think of her immediately because of her proven ability to play matronly homicidal maniacs.

As for her squirrely, scrawny, creepy nemesis, Ray Lamphere, I’d go, for obvious reasons, with Steve Buscemi.
Learn more about the book and author at Harold Schechter's website.

The Page 99 Test: Hell's Princess.

--Marshal Zeringue

Friday, April 6, 2018

J. Todd Scott's "High White Sun"

J. Todd Scott was born in rural Kentucky and attended college and law school in Virginia, where he set aside an early ambition to write to pursue a career as a federal agent. His assignments have taken him all over the U.S and the world, but a badge and gun never replaced his passion for books and writing. He now resides in the American Southwest, and when he’s not hunting down very bad men, he’s hard at work on his next book.

His debut novel, The Far Empty, was published in 2016.

Here Scott dreamcasts an adaptation of his new novel, High White Sun:
I was asked this question a lot for my first book (The Far Empty), so I guess it’s a good thing a few of the characters carried over to the new one! I didn’t have a specific actor in mind for former deputy, now Sheriff Chris Cherry, but my daughters have always insisted Chris Pratt fits the bill, and I think that works fine. America Reynosa is tough because she’s one of the younger characters in the books, but some actresses I think are fantastic are Aimee Carrero and Eiza Gonzalez. Steven Lang makes an excellent John Wesley Earl (he’ll need some tattoos…okay, a lot of tattoos). I like Richard Madden for Danny Ford (and I also like Game of Thrones!), and although I don’t know exactly where I’d cast them, I’m a huge fan of Ethan Hawke, Michael Shannon, and Viggo Mortensen…I should write them all into the next book.

As for a director, this is something I have given some “serious” thought to, since I love the idea of making films, and often visualize how I’d “shoot” my own book scenes as I write them. There are obviously the “name” directors that everyone knows, but I’ve also followed closely the work of some other directors who might not be as familiar: Taylor Sheridan (Wind River); Scott Cooper, who just did Hostiles; Joe Carnahan, who directed The Grey with Liam Neeson; Andrew Dominik, who directed The Assassination of Jesse James by the Coward Robert Ford. All these movies have a definite raw, Western vibe to them, which fits my books.
Visit J. Todd Scott's website.

The Page 69 Test: High White Sun.

Writers Read: J. Todd Scott.

--Marshal Zeringue

Wednesday, April 4, 2018

Jenny Thompson and Sherry Thompson's "The Kremlinologist"

Jenny Thompson runs an English-language school in Estepona, Spain. Before she retired, Sherry Thompson was the director of a nonprofit foundation. The authors, daughters of Llewellyn E Thompson, spent eight years of their childhood in Moscow.

Here the Thompsons share their dream cast and director for a mini-series based on their new book, The Kremlinologist: America's Man in Cold War Moscow, and sketch capsule summaries of each episode:
This book is not for everybody. Don’t pick it up unless you want to know what happened during the last Cold War. It’s not a tell-all or a thriller. But if it were to be on-screen, it would make a great mini-series because each part is a complete story in itself.

Main characters:
Llewellyn E Thompson played by Jimmie Stewart, Jane Thompson, played by Natalie Wood. Director: George Clooney.

Episode One The start of the 20th Century in the wilds of the American West. Ranch hands fend off murderous banditos in a boom and bust environment as Thompson finds his way to the University of Colorado, and, determined to find adventure, joins the newly created Foreign Service, is posted to Ceylon while the dustbowl hits back home, then finds education in Geneva.

Episode Two February 1941 Vladivostok as Thompson boards the Trans-Siberian for Moscow. There he remains as the government and diplomatic corps evacuates 800k away. Stalin and Molotov also stay behind, leaving young Thompson as intermediary between Stalin and Roosevelt while the Battle of Moscow rages.

Episode Three Post-war conferences, the start of the U.N., the beginnings of Covert operations and Containment policy. Thompson meets the love of his life on board ship and she agrees to marry by the time the ship docks.

Episode Four Thompson and family deplanes in Vienna for his first post as chief of mission. He puts his career on the line in State Treaty negotiations with a last minute bluff to prevent re-occupation of Austria. He also is secretly in London for months negotiating the near impossible settlement of Trieste. A disgruntled Tito and a hysterical Clare Booth Luce make waves every time an agreement is almost reached over the “rock pile.”

Episode Five Khrushchev’s enters stage at the Geneva Conference. Jane helps desperate Hungarian refugees as they cross the marshes at the border using reeds as snorkels.

Episode Six Thompson family arrives in Moscow with Thompson as ambassador. He develops an unusual relationship with Khrushchev; makes the first appearance by a US official on Soviet TV; the Berlin crisis; the Kitchen debate with Nixon; Khrushchev’s trip around the US and Camp David; the start of détente; the U-2 spy plane and the end of détente.

Episode Seven Hopes for détente rise with the young president Kennedy, then fall with the Bay of Pigs. Thompson and the Vienna Summit between Kennedy and Khrushchev; The Berlin crisis reignites. Thompson’s unusual visit to Khrushchev’s private dacha and his last, strange and prescient meeting with Khrushchev.

Episode Eight Thompson returns to the US the autumn of 1962 just before the Cuban Missile Crisis breaks. His intense time on Kennedy’s Ex Com at the brink of nuclear war.

Episode Nine Thompson and the Limited Test Ban negotiations; Kennedy’s American University speech; JFK’s assassination. Johnson keeps Thompson on and widens his role. Draws him into secret 303 committee meetings; brings him into the Vietnam issue.

Episode Ten Thompson’s last-minute breakthrough on disarmament talks. McNamara works behind his back to send him back to Moscow as Ambassador.

Episode Eleven A reluctant Thompson returns to Moscow with instructions to use Moscow to bring North Vietnam to the peace table. Six Day War. Thompson named to head disarmament talks. Soviet invasion of Czechoslovakia kills talks. Ends with Thompson women leaving for US on board ship.

Episode Twelve starts with Thompson and Chip Bohlen’s retirement speeches days before Nixon’s inauguration. Nixon brings Thompson out of retirement for the SALT talks. Diagnosed with cancer. Thompson’s wife arranges to have famous musician smuggle Solzhenitsyn cancer cure out of Moscow, but it arrives too late.
Learn more about The Kremlinologist at the Johns Hopkins University Press website.

--Marshal Zeringue

Monday, April 2, 2018

Jamey Bradbury's "The Wild Inside"

Jamey Bradbury's work has appeared in Black Warrior Review (winner of the annual fiction contest), Sou’wester, and Zone 3. She won an Estelle Campbell Memorial Award from the National Society of Arts and Letters. She lives in Anchorage, Alaska.

Here Bradbury dreamcasts an adaptation of The Wild Inside, her first novel:
I don’t like describing characters. I figure, my job is to give the reader the emotional lives of the characters and to supply whatever physical details are important; the reader’s imagination is going to do the rest. So I don’t spend a lot of time describing Tracy’s physicality, other than to tell readers that she is a little short for her age, but broad and very strong. Her strength is the most important detail about the way she looks.

This means that, physically, Tracy doesn’t resemble most Hollywood actresses—she’s not a thin little wisp. I’d love to see some new actress discovered for the part of Tracy, but if we’re limiting options to known actresses, Anya Taylor-Joy from The Witch might be a good pick. From that movie, it’s clear she can do a lot by saying little, and in Split, she demonstrated a surprising physical presence—at first she seems like just a girl, but over the course of that film, she shows herself to be solid, this body that won’t back down. My other selection would be Brianna Hildebrand, who is usually sarcastic and sharp in her roles (in Dead Pool and television’s The Exorcist), but who, I think, could also be quiet and intense. Plus, I just love her face.

This is a spoiler for the book, but I think it’s also important to talk about: I would want to see a transgender actor playing the role of Jesse, who is a trans man who has become adept at keeping secrets and negotiating the wilderness. I think it’s important for a trans character to be played by someone with that lived experience, so I would love to see someone like Tom Phelan (who had a recurring role television’s The Fosters) play Jesse. Phelan is a little young for the role, so we’d have to wait a while to see him grow into this part, which would require someone who looks fairly young but has the aura of having lived many difficult years. Phelan has an incredibly expressive face, so it would be interesting to see him play someone who only rarely lets his emotions show.

For Tracy’s dad, Bill, I pictured someone like Jason Clarke, who was wonderful in Everest as Rob Hall: He looked like a strong, solid guy in that movie, but he also radiated a gentle kindness and a predisposition for caretaking. That’s Bill—a big, quiet guy who might come off at first as a little gruff, but whose main motivator is to make sure he’s doing right by his family.

And for Helen, you need someone who is immediately likable, since she enters the story late, and it’s important for the viewer/reader to know that while Tracy is suspicious of Helen, Helen is good for the family. Helen is kind, but tough—she’s made a life for herself in rural Alaska as a single woman, and that takes a kind of determination and resourcefulness. I pictured someone like Amy Ryan, or maybe even Carla Gugino, who was incredibly tough and resourceful in Netflix’s Gerald’s Game this year.
Visit Jamey Bradbury's website.

The Page 69 Test: The Wild Inside.

--Marshal Zeringue

Friday, March 30, 2018

Christina Lynch's "The Italian Party"

Christina Lynch’s picaresque journey includes chapters in Chicago and at Harvard, where she was an editor on the Harvard Lampoon. She was the Milan correspondent for W magazine and Women’s Wear Daily, and disappeared for four years in Tuscany. In L.A. she was on the writing staff of Unhappily Ever After; Encore, Encore; The Dead Zone and Wildfire. She now lives in the foothills of the Sierra Nevada.

Lynch is the co-author of two novels under the pen name Magnus Flyte. She teaches at College of the Sequoias.

Here she dreamcasts an adaptation of The Italian Party, her debut novel:
I was delighted when Publishers Weekly said that my main character in The Italian Party, Scottie, would have been played by Grace Kelly or Audrey Hepburn. I agree! I had Grace Kelly in mind when I wrote her. The Italian Party takes place in 1956, and Scottie is 20 and somewhat naïve at the beginning of the novel, but a very capable woman by the end. Today I think she would be played by Margot Robbie.

Scottie’s husband Michael is darkly handsome, but insecure and anxious about the many secrets he is keeping. I think Ben Whishaw would be excellent casting—I loved him in The Hour, which was set in the same time period.

For Carlo, the Italian aristocrat/horseman, Raoul Bova would be great. Carlo’s wife, Franca, is still tortured by the death of their son during the war. I think Asia Argento or Monica Bellucci would be able to play all her layers.

Robertino is 14 and needs to be able to ride a horse really well, so that’s hard. I don’t know any 14-year-old Italian actors, but I loved Call Me By Your Name, so I would trust Luca Guadagnino to cast the perfect Robertino.

Sebastian is the most fun role in the book – I don’t want to spoil it, but he’s British-Italian and deliciously deceptive. I would love to see Jeremy Irons play him, or maybe Benedict Cumberbatch, just because I love him in Sherlock so much.

I’m sorry that Anthony Minghella and Saul Zaentz are no longer with us—they would have done beautiful things with this material, as they did with The English Patient. I worked in Hollywood for many years and have written lots of scripts, so I would definitely want to write the movie, but if I couldn’t, I would want Emma Thompson to do it. I loved her script for Sense and Sensibility.

Even though we need more women directors, I must admit I’d love to see Tom Ford or Luca Guadagnino direct the movie. I thought of Tom while I was still writing the book, because of his sense of style and because he knows what it’s like to be an American in Italy. Plus there’s a fox terrier in it, which he would love. As I said, I loved Call Me By Your Name, and I think Luca would capture the lazy beauty of summer in Siena in 1956.

Oh, and for Ecco the dog, I’d like to bring back Asta from The Thin Man, of course!
Visit Christina Lynch's website.

--Marshal Zeringue